Rebecca Rovit joined the KU faculty in August 2009. She teaches Script Analysis, Theatre History, and topics related to historiography, cultural memory, modern European theatre, and performance and genocide at the undergraduate and graduate levels.
Dr. Rovit is currently a Fulbright Specialist (2018-2023) of “Theatre and Genocide” within the broader category of Peace and Conflict Resolution Studies. In summer 2019, she was affiliated with the University of Vienna (Department of Theatre, Film, and Media Studies), where she taught MA students, using the city of Vienna as a site for embodied remembrance of the Holocaust. She also organized a symposium on “Memorializing Genocide” and the Performing Arts. This was a return visit to Austria under the auspices of the US Fulbright program.
During 2016-17 Dr. Rovit was a Fulbright-IFK Senior Fellow in Cultural Studies in Vienna. She is working on her second major book that examines German-language theatre performance in the direct aftermath of World War II, titled "Theatre from the Rubble of War in Berlin and Vienna, 1945-55" for which she received a KU Hall Center of Humanities Resident Faculty Fellowship in Fall 2020. Her comparative study builds on her research expertise that explores the cultural heritage of the Holocaust (1933-1945), including art produced by prisoner-artists in situ and the role of the performing arts under duress: within Nazi Germany, and in ghetto and camp settings. Her 2012 micro-history, The Jewish Kulturbund Theatre Company in Nazi Berlin( Iowa University Press) was designated by Choice Magazine as an Outstanding Academic Title for 2013. She co-edited (with Alvin Goldfarb), Theatrical Performance during the Holocaust: Texts, Documents, Memoirs (The Johns Hopkins University Press, 1999), a Finalist for the National Jewish Book Award. Her numerous publications appear in such journals as American Theatre, PAJ, TDR, Theatre Survey, the Journal of Dramatic Theory and Criticism, The Journal of Holocaust and Genocide Studies, and Theatre History Studies. Dr. Rovit was the Editor for the Journal of Dramatic Theory and Criticism, 2015-2018, and now serves on the Advisory Board for the journal. She also served as guest editor for the journal with a special section on Witnessing History, Performing Trauma (Spring 2013).
Dr. Rovit has received research fellowships from the U.S. Fulbright Scholar Program (to Austria), the American Philosophical Society; the American Council of Learned Societies, the U.S. Holocaust Memorial Museum; the Deutscher Akademische Austauchsdienst, and The Jewish Memorial Foundation for Culture; as well as grants from KU's Hall Center for the Humanities, where she co-directed an interdisciplinary seminar for faculty and graduate students on "Facing Genocide and Its Aftermath" (2013-14). In Spring 2016, she was a Visiting Senior Associate at Pembroke College, University of Oxford (UK).
Besides lecturing independently in the U.S. and in Europe, Dr. Rovit has taught courses in theatre history, play analysis, and modern drama at Illinois State University and Indiana University (Bloomington).
She holds a Ph.D. in Theatre History from Florida State University, an MA in German language and literature from the University of Virginia, and a BA from Bucknell University.
*Full CV available upon request.
- Script Analysis
- Theatre History: Theatre and Performance Historiography
- Theatre & Genocide
- Cultural Memory and Theatre
Rovit Statement of Program of Research/Scholarship
In its broadest aspect, my historical research examines the role of the arts under duress, especially related to genocide and its aftermath. It explores the cultural heritage of the Holocaust, specifically the theatre created by artist-inmates in camp and ghetto settings, as well as directly after war. Accordingly, among my areas of focus are the "aftermath" of the Holocaust to consider (1) the rebuilding of cultural life in the wake of war (2) the theatrical representation of genocide, and (3) how theatre can overcome divisions and re-create community.
My work addresses gaps in the historical record by documenting the specific ways in which theatre existed during the Holocaust. Such representative publications as my "Cultural Ghettoization and Theatre during the Holocaust" (2005) and my monograph (2012), show that art-making by artist-inmates under the threat of censorship, deprivation, and death was not an isolated phenomenon. The Jewish Kulturbund Theatre Company in Nazi Berlin is a microhistory of an all-Jewish theatre company that coexisted with the Nazi regime. My research relies on in-depth archival work, which, in combination with personal interviews of witness-artists, "interrogates" documented cultural history and biography. My analysis extends to play-scripts, production history, audience reception, and the Nazi policy that shaped that history.
My second major book project is comparative in nature and focuses on post-war German-language theatre under multinational military occupation in the aftermath of WWII. In a 2016 article (published in _Theatre History Studies_), I lay the groundwork for the cultural significance of "first responder" theatre-makers in Berlin and Vienna to examine the relationship between their cultural output and the policies by multinational occupation forces that affected the performing arts repertoire. My historiographical inquiry incorporates assumptions from cultural memory and trauma studies as I connect historiographical questions with a theoretically-bolstered methodology to study the renewal of German-language theatre and its reception after genocide and the Cold War.
- Modern European Drama
- Jewish Artistic production under Duress
- Theatre and Genocide
- Theatre Historiography
- Cultural Memory
- Trauma Studies
I served as the Editor of the Journal of Dramatic Theory and Criticism for four years (2015-2018), and remain on the Advisory Board for the journal:
I review articles for international journals; and grant proposals for international fellowship organizations.